Curses and Fines on Greek Grave Stele

Inv. 1225 T

In antiquity, apart from thieves, tombs were also damaged by people of low economic conditions. While thieves damaged tombs for burial gifts and the clothing of the dead, some people opened tombs of strangers to bury members of their own families or dismantled them in order to use pieces to make a new tomb. Grave monuments were also damaged to make milestones and to use in constructing walls, especially in late antiquity. There were two ways in antiquity to prevent violations of graves: fining and cursing.

To discourage people from violating tombs, fines were determined to be paid to the treasury of the city. To enhance the discouragement, the amount would be high, and it was legally determined to pay a part of it to the informer who reported the culprit to the authorities.

On the other hand, curses were common maledictions used by the public, addressing the person with the potential of damaging the tomb, warning the violator of the misfortunes that would happen to him. These curses were added to the end of the grave inscriptions by the owner of the tomb. Protecting graves via curses has a long history in the Near East and Anatolia. According to the religious beliefs of Anatolians on death and the afterlife, the body of the dead person that has said good bye to this world physically continued to live in the other world, and for his feelings and desires which continue also in this afterlife he needs a refuge that he would not want to share with others.

In the curses it is wished that the wraith of the gods should be directed onto the violator through disasters such as painful or untimely death, living pain because of family perishing, the house perishing as a result of fire, the children becoming orphans, epidemics, blindness, becoming disabled, etc. The power of the mechanism of punishment that starts after the violation is committed is hidden in the words incised on the grave monument.

Inv. 1225 T from the Istanbul Archaeological Museums reads:

“Nicephoros, son of Moschion (made) (this grave) for his wife Glyconis and in his own memory while still alive: if anyone buries another body (here) without my permission, he will pay 2500 denarii to the city and will be responsible for the crime of grave robbery.”

(GRAVE STELE OF NICEPHOROS AND GLYCONIS, Marble, Conane (Gonen, Bahkesir), Roman Period, end of 2nd , beginning of 3rd C AD)

When we geographically proportion the grave inscriptions with curses, it is observed that the majority are from Phrygia, especially in the provincial areas of the region, where Phrygians, who had been away from the influence of Hellenization, lived. Comparing Phrygia with the other areas of Anatolia, it is observed that such curses diminish in number in those areas.

As a result of the hardships felt in the lives of the public through the crises of the 3rd century AD and in relation with the decrease in the trust for the establishment of justice because of these crises, especially effected Anatolian villages had an increased need for grave curses under this negative socio-economic condition.  It is observed that curses on the grave stelae and sarcophagi with rich and large decorations were mostly used by people who had affluence in society, especially Roman citizens. Rather insignificant in number, there are also a few examples belonging to slaves and intellectuals. Such protective precautions of pagan origin have also been adopted by Christian and Jewish communities and found place on their grave stelae as well.

(Thank you to Istanbul Archaeological Museum for input and photos on recent expedition)

In the Beginning: Biblical Creation Myths vs. Others Around the Mediterranean

We often read ‘In the beginning…’ but there are actually several beginnings told throughout the Bible, many of which have interesting relationships to other Mediterranean creation myths from Greece, Egypt and the Ancient Near East. So I want to explore some of those relation, the comparisons and contrasts. Frankly this could, and I’m sure does somewhere, make up an entire book series. So lets look at some of the basics.

The Old Testament contains at least a dozen creation “stories”.  Two of these stories are told in Genesis 1 and 2, in addition to the creation story in Job 38 and the fragment in Job 26:7-13 among others. These stories are not always consistent with each other, so some will hold similarities to contemporary creation myths, while others contain contrasts.

One major point of comparison between Biblical creation myths and other creation myths is the idea of separation as a key component in the creation process.  The idea of separation is seen several times throughout Genesis.  Genesis 1:4 reads, “God saw light was good; and God separated the light from the darkness,”[1] indicating the creation of night and day.  The idea is also in Genesis 1:6, “God said, let there be a dome in the midst of the waters, and let it separate the waters from the waters.”[2]

Separation of Sky from Earth in Egyptian Creation Mythology

Egyptian mythology also has separation themes; telling of the separation of the god of the earth and of the sky as a major part of the creation process.[4]  Though these creation aspects are represented as deities in Egyptian mythology, the idea remains; the separation of the earth and the heavens to create a place in between, to be inhabited.[5]  The idea of separation is also seen in the Mesopotamian creation myth the Enuma Elish. The god Marduk ‘separates’ Tiamat (primeval waters), splitting her in half, placing one half above the other, forming heaven and earth..[6]  As in the Biblical myths, the act of separation is used as a key aspect of creation.  Hesiod’s Theogony illustrates this idea was also an accepted part of Greek creation mythology.  Hesiod explains that Gaia (Earth) was ‘separated’ from Ouranos (sky) through a scheme resulting in Ouranos detaching from Gaia, separating earth from the heavens.[7]

Another similarity is the idea of chaotic water being a primal substance.[8]  The first account of Genesis refers to chaotic water being present at the time of creation.  Genesis 1:2 states “…the earth was a formless void and darkness covered the face of the deep, while a wind from God swept over the face of the waters.”[9] This idea of chaotic water is witnessed in the Enuma Elish as Tiamat and Apsu both represent forms of chaotic water, and it is out of them that creation results.  In all accounts of Egyptian creation the idea of chaotic water is apparent.  The Heliopolis version of Egyptian mythology tells of the primeval matter ‘Nun’, the watery chaos from which all is created.[10] In contrast, the creation myth of Job 38 is almost methodical: “Who marked off [Earth’s] dimensions? … who stretched a measuring line across it? On what were its footings set…?”

Greek mythology doesn’t seem to directly refer to water as the primal substance, but Hesiod explains the first god was ‘Chaos’, resembling the watery chaos of the other myths, representing the same ideas of a void from which all was created.  Hesiod’s understanding of Chaos contrasts however Ovid’s, who defines it as an “anarchic dark matter that preceded the formation of the universe.”[11]

The creation myths of Genesis share another common feature of Near Eastern, Egyptian and Greek accounts: they have a cyclical theme.  Boadt indicates that this cyclical theme can be seen in Genesis as each of the first three days of creation parallels the next three days.[12]  Genesis’ Priestly account shows the creation of light and darkness on the first day is parallel to that of day and night on the fourth day.[13]  Whereas, the creation of waters and sky on the second day parallels the creation of sealife and life of the air on the fifth.[14]  This pattern is continued in with the third and sixth days.[15]

Tiamat, the Watery Chaos, on Babylonian Seal

This cyclical theme is seen in the Enuma Elish and Greek creation.  However, the cyclical acts of these mythologies are based more on the violent processes which do not appear in the Genesis. This is a point of uniqueness.  The Enuma Elish shows a cyclical theme in the overthrowing of Apsu by Ea in parallel to the overthrowing of Tiamat by Marduk.[16]  Hesiod also expresses this theme in Greek creation with the overthrowing of Ouranos by his son Kronos and then the defeat of Kronos by Zeus.[17]  The cyclical theme is also seen in Egyptian accounts as they believed in the idea of the first occasion and that life was part of a continuous process.  For example, the rising and falling of the sun was imagined as a cyclical process repeating every day, rising and returning to Nun.[18] However, the account in Job 38 is not cyclical; instead it is more of a process.

Biblical creation can also be compared and contrasted in relation to the formation of the god/s and the elements of nature.  Genesis indicates that creation resulted from the divine word of a monotheistic god. Sproul asserts that this form of creation is not completely reflected in other mythologies.[19]  Hesiod explains that Greeks believed the first acts of creation were the result of sexual procreation by the gods Chaos and Gaia.[20]  Sexual procreation as a primary means of creation is also seen in the Memphite versions of Egyptian mythology, though the gods are the product of  both asexual reproduction (Shu and Tefnut) and divine word in some accounts such as the Heliopolis (Re rising out of Nun).[21]  Near Eastern mythology also includes sexual procreation in creation, “…from Apsu and Tiamat in the waters gods were created.”[22]  From these accounts we see  Biblical creation as fairly unique as it never includes an act of procreation within Genesis, however, Egyptian accounts do share a relation in including creation by divine word.  Job, while not including procreation, does parallel it in 38:8 where it reads: “Who shut up the sea behind doors, when it burst forth from the womb.”

All four cultures’ accounts can be viewed as nature myths as they share a reaction to the power of nature and the creation of human life, even though humans have a limited role in Egyptian mythology.  The Biblical accounts and the Enuma Elish both have cultic functions.  The Enuma Elish displays cultic functions of kingship, and the Biblical Priestly cults feature the day of rest, both corresponding with ritual theories.[23]  Harris and Platzner explain Etiological theories of myths are attempts to explain origins.[24] This theory, seen in all of these mythologies, shows Biblical creation is not unique as a prescientific attempt to justify the creation process.[25]

Enuma Elish on Tablet

Biblical and other creation myths show contrasts in relation to the role and creation of humans.  The creation of humans in Biblical myth is more important in the J account than the Priestly account.  In both, humans are created in the image of god, whereas in Near Eastern myth they are created to serve the gods, but are divinely related as they are moulded from divine blood, “blood to bone I form, an original thing, its name is Man.”[26]  Hesiod’s accounts don’t include human creation, but Aristophanes relates that males were created from the sun and females from the earth.[27]  Some versions of Egyptian myth recount human creation by Khumn from clay, as do Near Eastern myth with the creation of man by Nintu from clay and blood.[28]  Greek, Egyptian and Near Eastern accounts are similar to the J version of Genesis as  all refer to creation of man from the earth/clay.

Genesis is in part different because it saw creation not as the act of divine slaughter and violence, but as the divine word of god.  Harris and Platzner assess that this is unlike Mesopotamian and Greek creation mythology which “features violent conflict between different generations of gods.”[29] Hesiod describes the conflicts between the generations of gods creating order from chaos.  The same idea appears in the Enuma Elish as the violence between generations creates  ultimate order to chaos. Genesis, however, refers to a creation of divine word alone, reshaping older myths of “a primordial watery chaos to fit a monotheistic concept.”[30]  It would be wrong to say that Biblical accounts are purely non-violent. In Job 26:12-13, ‘By his power he churned up the sea, by his wisdom he cut Rahab to pieces, by his breath the skies became fair; his hand pierced the gliding serpent.’

We also see that the Biblical myth is different because it contains the only creation myths encompassing monotheism.  All other creation accounts are based on polytheism. The Egyptian creation myths start with one god of many, such as Nun (the primeval waters), [31] Ptah in the Memphite versions and Atum in the Heliopolis versions.[32] Greek and Mesopotamian creation myths recount creation in polytheistic terms as the result of several generations of gods, each representing a creation component. Biblical myths do, however, include the trinity within creation. In John1:1-4, ‘In the beginning was the Word [Jesus], and the Word was with God, and the Word was God. He was with God in the beginning. Through him all things were made.’

The Biblical creation myths then do not stand out generally as unique. They contain themes that run through numerous creation myths from civilisations in direct contact and under similar influences to the Biblical cultures. And that my friends is ancient history for you! It is very difficult to be unique when it has all been done before. Any PhD student knows…

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[1] Holy Bible: New International Version, Hodder and Stroughton (London, 1996), Genesis 1.3, p.3

[2] Ibid., Genesis 1.6, p.3

[4] Pinch, G., Egyptian Mythology: A Guide to Gods, Goddesses and Traditions of Ancient Egypt (Oxford, 2004), p.65

[5] Allen, J. P., Genesis in Egypt (Connecticut, 1988), p.9

[6] The Enuma Elish in Sproul, B. C., Primal Myths (New York, 1979), p.92

[7] Hesiod, Theogony in Harris, S.L., and Plarzner, G., Classical Mythology: Images and InsightFourth Edition (New York, 2004), p.89, lines 160-190

[8] Harris, S.L., and Plarzner, G., Classical Mythology: Images and InsightFourth Edition (New York, 2004), p.66

[9] Holy Bible, op.cit., Genesis 1.2, p.3

[10] Sproul, B. C., Primal Myths (New York, 1979), p.80

[11] Harris and Platzner, op.cit., p.68

[12] Boadt, L., Reading the Old Testament (New York, 1984),  p.111

[13] Holy Bible, op.cit., Genesis 1

[14] Ibid., Genesis 1

[15] Ibid., Genesis 1

[16] Sproul, B. C., Primal Myths (New York, 1979), p.123

[17] Hesiod, op.cit., lines 160-190

[18] Pinch, G., op.cit., p.68

[19] Sproul, B. C., op.cit., p.123

[20] Hesiod, op.cit., lines 110-120

[21] Shaw, I., and Nicholson, P., The British Museum: Dictionary of Ancient Egypt (London, 2003), p.284

[22] Enuma Elish, op.cit., p.92, lines 1-10

[23] Sproul, op.cit., p.91 – The Enuma Elish’s main purpose was to praise Marduk’s divine supremacy and to honourBabylon.

[24] Harris and Platzner, op.cit., p.40

[25] Greek, Egyptian, Near Eastern and Biblical myths are all an attempt to explain creation in a non-scientific way (Eg. The sky, sea, earth and life itself) which reflects the primitive understanding of the world and its creation.

[26] Sproul, op.cit., p.104

[27] Arisphanes in Plato’s Symposium

[28] Sproul, op.cit., p.114

[29] Platzner and Harris, op.cit., p.70

[30] Ibid., p.70

[31] Pinch, op.cit., p.58 – explanation of the first god rising out of Nun, the primeval waters, due to differing accounts this god is ascribed as being Amun, Ra or Ptah depending on the version understudy

[32] Shabako Stone, king sha-bak, 700BC, 25Dyn